|
1980- . :
,
1950- 1960- . ,
. ,
F-104O "" - F-4F ""2, - F-4K/M
"", - F-104S G-91. ,
, ,
F-16.
, , , -
,
, . ,
, , , ,
,
-
.
. ,
-106,
"", .
= 1,8, 10 ,
400 . -106
"", ,
. , -106, 1981 .
,
.
, -106.
TKF, "",
""
. "" ND102,
().
-. 1983 .
, . "",
F-404.
.
: ,
, , ,
, ,
- , .
1981 . (), () ()
,
,
. , 1982 .,
"" - ,
(Agile Combat Aircraft - ). ,
1989 .
"". , ,
= 2, ,
.
,
"" ( ,
- RB199 8800 , 1,2).
1983 .
: 16 , , ,
,
FEFA (Future European Fighter Aircraft -
-). EFA.
- .
DASA (), (), (), - ()
AS ().
-
.
,
,
1.
EFA 1984 .
1986 .
"" , .
.
"" ,
.
,
, 30%
35%.
,
.
EFA
. ,
1960-80- .,
. .
EFA ,
, "".
.
DASS (Defense Aids Sub System),
-
, .
,
, ,
, .
, ,
, , "", F-15, F-16
F/A-18.
EFA -
.
, ,
, .
1985 .
"". -
: - 33%
( 250 ), - 21% (200 )
- 13% (100 ).
. , -
. , - . .
EFA
.
1986 . ,
-, MTU, .
EJ200.
1980- . EFA
: , , .
,
, .
EFA ;
F-16 F/A-18,
.
EFA -
" " (Experimental Aircraft Program),
1983 . . 1986
. EFA, "",
, .
.
.
,
.
: 76%, - 7% - 17%.
1988 .
EFA
, ,
, 53*. ,
, ,
, .
.
,
, .
.
.
,
. ,
-29
, ,
EFA. - ,
. ,
,
F-15, F-16 F/A-18.
EFA. 1992 .
- EFA. "
,
",
- 2000 . - 2002 .
2000 2035 . - EF2000.
, , ,
-, -
-.
,
-. , ,
, " ,
,
".
.
,
12-30%. ,
.
, - .
: ,
,
, . ,
,
.
607 : 250 , 140 , 130
87 .
:
, -
, CASA, .
- 7-10 .
27 1994 . DASA
, ,
N 1 EF2000, DA1.
, DA2, . N 3 7
, N 4 - - -
. .
N 5 ,
ECR 90, a N 6 - . N 3
.
1995 .,
1994 . 1995 .
EJ200 (
- RB199). 4500
, 4000 .
800 , ,
- . ,
, (),
, , .
, 111.
850 . . .
,
. EFA/EF2000 .
, ,
, , "
". ,
, EF2000.
, EF2000 ,
( DASS ),
-29, ,
.
EF2000,
""
36 .
EF2000
30-33 20%. ,
, 30%
.
- ( EF2000
). ,
, , ,
, .
EF2000 2002 .
-29,
- F-4F, "
" AN/APG-65, MIL STD
1553, -124, ,
AIM-120 AMRAAM (
2 . ).
AMRAAM ,
F-4F . " -
"
"". ,
. -29
. ,
:
-
F-4F ,
70 "" ,
;
-
( 36
), EF2000
;
-
EF2000 ( 2006
.), 140 100.
-29
( " "),
EF2000 1,8 .
12 . .
,
.
-29 60 . .
1997 . 12 . 1994 .
100 -29
(80 . ). 20 . .
,
-29,
. -29,
F-1S, F-16, F/A-18 SAAB
JAS-39.
() 5-10
- F-15 F-16. 24
F-15C 265-530 . . (
),
F-16 145-265 . .
F-16C 50 20 .
. .
F-15, F-16 F/A-18. ,
EF2000
-27. ,
, "".
EF2000 ,
( Joust).
,
. -27 -35
( AMRAAM)
. , EF2000
, -27,
XXI ( ,
).
,
, EF2000, ,
"" .
, EF2000
F-22
, F-22 .
, ,
"-94", -35 82%
EF2000 (
, F-22A 91%,
"" - 60%, F-15E - 50%, F/A-18E - 35%, -29 - 32% F-16C - 21%).
, EF2000
-29, ,
-29 EF2000,
.
<1 EF2000 "", -35 F-16C
(, , ),
-29, F/A-18E F-15E.
>1 EF2000,
( ) "", F-16C, -35, -29, F-15E F/A-18E.
, F-16C, "", -35, F-15E, -29 F/A-18E.
, ,
EF2000 ,
(
DASS, ),
-29. , ,
, .
. ,
, . ,
EF2000 ,
, . ,
, EF2000 -29
,
. , EF2000
1,02, -29
- 1,12 - 1,26 (, ,
).
EF2000 300 /, -29 - 310 /,
2,0 2,3,
-29 . -35 (,
, )
- ,
.
, -35
.
,
EF2000 ,
F-22A
, EF2000 .
- ,
, ,
.
, ,
EF2000 ,
. , ,
- ,
,
.
. , EF2000
,
, .
,
EF2000 ,
, ,
, EF2000.
,
. ,
, "
". ,
,
-,
.
.
"-1" -
2003 . 2004 EF-2000 ""
. 148
EF-2000 "" "-1".
EF-2000 . 2015 ""
148, 236 236 . ( 620 EF-2000 "")
- (232 - , 180 - , 121 -
87 - ). 2002
18
"-2" 1,95 (2,55 ). 2007
""
18 15 . "-2"
"-1". 72 ,
EF-2000 "" 707
6 . "-2"
- 14 2004 .
16 2008 . "",
60 "-2".
NETMA
, .
.
"-2" "-1"
, , ,
"-". "-3"
- NETMA. ,
236 "-3" 2008 - 2009 .
"-3" 2013
. , "" "-3" ,
, ,
, .
EF2000.
""
,
. 40% , 20% -
- "" (Al-Li 8090), 18% - , 12% -
10% - . 70%
, 12%, - 15%,
- 3%. ,
9999 .
- , "".
6000 .
, ,
,
.
53 , 2,2.
( )
( ),
. (
, - )
.
.
.
.
.
.
,
, 2,40 2.
, .
, - .
.
,
, , 500 , 700 .
.
EF2000 - RB199-122
(2 7260 ), "".
EJ200 (2
9200 ).
EJ200 -
. ,
, ,
.
.
. 900
.
,
(
), .
, .
:
1000 () 1500 .
.
,
30% , . 1 10
.- ( : F/A-18
27,5 .-). EF2000
45 . 1000
400 ( F/A-18 - 1012 ).
()
, .
,
( ),
.
- ECR90 PIRATE.
ECR90 -,
GEC-, , FIAR
INISEJL ,
.
" ",
" " FRS.2.
, ,
- .
,
.
,
,
.
PIRATE , 1992 .
(Eurofirst) FIAR (), -1
() ().
.
.
,
, ,
, - ,
. , .
9 6
.
EF2000
, -, ,
,
,
.
(Total Terrain Avionics)
.
DASS -
, , -
,
, ,
( , )
.
(
, , ).
13 .
- AIM-120 AMRAAM, "" (
) "" ( ),
, AIM-9
"" ASRAAM .
- 10,
18 140 (40000 ).
. 27- .
6500
, - .
1000 , -
325 - -
1000 . -
3 15 .
.
-
().
. .
,
.
- 16
, .
- 18
. ,
.
,
.
, F-16, F-22 -35, EF2000
,
GEC . -29 EF2000
" ",
( , ,
, , ).
,
.
GEC ,
. -
, ,
, ASRAAM.
.
, ,
. ,
.
.
,
. ,
.
. , ,
.
Multitrack - Coldplay Fix You
Before diving into the technicalities of the multitrack, it's essential to understand the track itself. "Fix You" was released in 2005 as the second single from Coldplay's third studio album, X&Y . However, the song's journey began under a cloud of creative tension and personal anxiety.
"Fix You" by Coldplay is a seminal track from their 2005 album . The multitrack (or stems) for this song consists of 12 main channels
or a similar reed organ belonging to Chris Martin's late father-in-law, Bruce Paltrow). The Drone:
Whether you use AI to extract the stems, buy a remix pack, or illegally download an old session, the goal is the same: to stand on the shoulders of giants. “Fix You” is a masterwork of production—deconstruct it, learn from it, and let it tell you its secrets. Then, go make your own anthem. coldplay fix you multitrack
The high-frequency chiming elements (like the acoustic guitar strums and synth glimmers added later in the track) are EQ’ed perfectly to sit above the warm, mid-range heavy organ, preventing the mix from becoming muddy. Conclusion
In addition to layering, the vocal tracks also reveal a range of processing techniques used to enhance Martin's performance. A gentle compressor and EQ help to control the dynamics and tone of the vocal, while a subtle amount of reverb and delay adds depth and space to the sound. Interestingly, the multitrack reveals that Martin's vocal was also treated with a touch of distortion, giving it a slightly edgy, overdriven quality that adds to the song's emotional intensity.
A subtle synth arpeggio enters in the second verse, providing rhythmic movement before the drums arrive. Before diving into the technicalities of the multitrack,
Notice the "church-like" reverb. It provides a warm, nostalgic bedding that feels both fragile and massive.
Most pop-rock anthems begin with an acoustic guitar or a piano. "Fix You" begins with a church organ.
During the iconic "Tears stream down your face" refrain, the multitrack reveals massive, layered choir-like harmonies sung by all four band members, heavily compressed and reverbed to create a communal, uplifting wall of voices. 3. Jonny Buckland’s Guitar Orchestration "Fix You" by Coldplay is a seminal track
Analyzing the song's multitracks (the individual, isolated recordings of each instrument) reveals how the band meticulously built the emotional "crescendo" that defines the track: The Organ (Church-like start)
When the isolated vocal stem comes in, the first thing you notice is the . The verse vocal isn't pristine. It carries a subtle, high-frequency hiss and a slight boxiness. This was a deliberate choice by producers Ken Nelson and Danton Supple.
. 2008
 |