Released in 1987, INXS’s Kick stands as a monument of late-80s rock production. It was the album that propelled the Australian band from radio staples to global superstars, powered by the slick, funky, and driving production of Chris Thomas. For audiophiles, Kick has long been a benchmark for testing sound systems, and the 2011 reissue campaign sparked a renewed interest in the album in high-resolution formats, specifically FLAC 24-bit/192kHz.

Released in 1987, "Kick" is INXS's fifth studio album, and it's widely considered one of their best works. The album was produced by Chris Bailey and INXS, and it features some of the band's most popular songs, such as "Need You Tonight," "Never Let You Go," and "New Sensation." "Kick" was a massive commercial success, reaching the top 10 in several countries, including the United States, where it peaked at number 3 on the Billboard 200 chart.

The 2011 remaster of Kick was a critical milestone in the band's catalog history. The original 1987 release was mixed for the equipment of its time, but the 2011 reissue project aimed to strip away the thin, brittle high-end characteristics of early compact discs.

You cannot experience the true depth of a 24-bit/192kHz FLAC file using standard phone speakers or basic Bluetooth earbuds. Bluetooth lacks the bandwidth to transmit high-res audio data. To decode these files properly, use a dedicated playback chain:

The 2011 remaster of is a highly sought-after high-resolution release, notably available in 24-bit / 192kHz FLAC format. This specific version is lauded by audiophiles for its dynamic range and clarity compared to earlier CD releases. 🛒 Where to Purchase & Download

Curate a series of playlists and radio stations on popular music streaming platforms that feature "Kick" in various contexts. For example:

The shimmering guitars have a brighter, more engaging presence, highlighting the funk influence of the track.

The original Kick sessions were recorded on analog tape at studios including Rhinoceros Recordings in Sydney and mastered by Bob Ludwig. The 2011 high-resolution transfer aimed to capture the full dynamic range of Michael Hutchence’s vocals, the punch of Garry Gary Beers’ bass, and the crisp attack of Kirk Pengilly’s saxophone and guitar.

Standard default media players often downsample high-res audio. Use dedicated software like Foobar2000 (Windows), Audirvana (Mac/Windows), or Roon to ensure bit-perfect playback to your DAC. Conclusion

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