Unlike the cleaner Vision3 stocks (5219), the Vision2 500T has a slightly more desaturated shadow region and a unique response to skin tones—keeping them warm but not overly saturated. It was the workhorse for films like The Dark Knight and No Country for Old Men .
First, convert your log footage into a scene-linear space (like Rec.709 or DaVinci Wide Gamut). Apply the LUT:
In the photochemical process, you shoot negative (5218) and print to positive (2395). The digital LUT that mimics this chain takes the flat log image from your camera and applies the contrast curve of the print stock combined with the color density of the negative.
If you are using Blackmagic Design's software, you already have access to incredible color science. You can use DaVinci Wide Gamut (DWG) to build a node tree that emulates negative-to-print workflows natively without needing external LUT files.
Heavy contrast, inky blacks, muted reds/yellows, clean highlights that clip smoothly. Used for “bleach bypass” looks when processed normally.
Sometimes indie filmmakers share custom LUTs developed from print stock studies .
Save this as a PowerGrade, then export a LUT from the Color page (Workspace > Export > LUT). This gives you a personalized 5218/2395 look.
Introduced in 2002, Vision2 500T 5218 became the industry standard for worldwide cinema. It is a tungsten-balanced color negative film known for its exceptional shadow detail, wide dynamic range, and gentle highlight roll-off. Rich, warm, and highly forgiving.
Unlike the cleaner Vision3 stocks (5219), the Vision2 500T has a slightly more desaturated shadow region and a unique response to skin tones—keeping them warm but not overly saturated. It was the workhorse for films like The Dark Knight and No Country for Old Men .
First, convert your log footage into a scene-linear space (like Rec.709 or DaVinci Wide Gamut). Apply the LUT:
In the photochemical process, you shoot negative (5218) and print to positive (2395). The digital LUT that mimics this chain takes the flat log image from your camera and applies the contrast curve of the print stock combined with the color density of the negative. kodak 5218 kodak 2395 lut download
If you are using Blackmagic Design's software, you already have access to incredible color science. You can use DaVinci Wide Gamut (DWG) to build a node tree that emulates negative-to-print workflows natively without needing external LUT files.
Heavy contrast, inky blacks, muted reds/yellows, clean highlights that clip smoothly. Used for “bleach bypass” looks when processed normally. Unlike the cleaner Vision3 stocks (5219), the Vision2
Sometimes indie filmmakers share custom LUTs developed from print stock studies .
Save this as a PowerGrade, then export a LUT from the Color page (Workspace > Export > LUT). This gives you a personalized 5218/2395 look. Apply the LUT: In the photochemical process, you
Introduced in 2002, Vision2 500T 5218 became the industry standard for worldwide cinema. It is a tungsten-balanced color negative film known for its exceptional shadow detail, wide dynamic range, and gentle highlight roll-off. Rich, warm, and highly forgiving.